The conclusive number of Kyrgyzstan gambling halls is something in question. As information from this state, out in the very most interior area of Central Asia, often is awkward to achieve, this may not be all that bizarre. Whether there are 2 or 3 legal gambling halls is the thing at issue, maybe not really the most all-important bit of information that we don’t have.
What no doubt will be true, as it is of most of the ex-Russian states, and definitely accurate of those located in Asia, is that there certainly is a good many more illegal and alternative casinos. The change to acceptable wagering did not empower all the aforestated places to come away from the dark into the light. So, the debate regarding the total number of Kyrgyzstan’s gambling dens is a minor one at best: how many accredited gambling dens is the element we’re seeking to resolve here.
We are aware that located in Bishkek, the capital city, there is the Casino Las Vegas (a marvelously unique name, don’t you think?), which has both gaming tables and one armed bandits. We can also see both the Casino Bishkek and the Xanadu Casino. Both of these have 26 one armed bandits and 11 table games, separated amidst roulette, vingt-et-un, and poker. Given the remarkable similarity in the square footage and layout of these two Kyrgyzstan gambling halls, it may be even more astonishing to find that the casinos are at the same address. This seems most strange, so we can perhaps state that the list of Kyrgyzstan’s casinos, at least the legal ones, stops at 2 casinos, 1 of them having changed their title a short time ago.
The country, in common with practically all of the ex-Soviet Union, has experienced something of a accelerated adjustment to commercialism. The Wild East, you may say, to refer to the lawless circumstances of the Wild West an aeon and a half ago.
Kyrgyzstan’s gambling dens are almost certainly worth going to, therefore, as a piece of anthropological analysis, to see chips being wagered as a form of social one-upmanship, the absolute consumption that Thorstein Veblen wrote about in 19th century America.
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